• Compositions

    Chamber and Solo Instrumental Music

    The Benevolent Predator
    for electric violin, cello, alto saxophone, synthesizer, piano, percussion (7:00)

    Black Jacques
    for string quartet (6:30)

    for string quartet (11:30)

    for solo piano (9:00)

    Lonely Lake Revisited
    for solo harp (1:30)

    The Persistence of Memory: Dances for Bass Trio (6:30)

    Sea Horses
    for solo clarinet (1:45)

    for solo cello (2:00)

    Waiting for the First Crocus
    for violin and piano (4:00)

    The Erotic Anguish of Don Juan, including Sneaky (1:30), Bullfight (4:00), Burlesque (5:00), Minotaur Cave (3:15)
    for violin, cello, bass clarinet and percussion

    Orchestral Music

    Black Jacques for string orchestra (6:30)

    Durham Twilight for string orchestra (6:00)

    The Splendid Line
    for full orchestra, SATB chorus, organ (10:00)

    Choral Music

    cold spell
    for Double SATB chorus (6:30)

    Frank Slide, Alberta
    for SATB chorus with Mezzo-soprano soloist (5:00)
    Text by Aislinn Hunter

    The Splendid Line
    for SATB chorus, orchestra, organ (10:00)

    for SATB chorus (3:00)

    Text by Sarojini Naidu

    Theatrical and multimedia pieces

    The Erotic Anguish of Don Juan (54:00)
    25 pieces for violin, cello, bass clarinet, percussion, SATB chorus and vocal soloists

    realized using Logic Pro X

    an audiovisual presentation honouring Leonard Leacock (10:00)
    – by Miriam Fabijan, George Fenwick, Oli Siska, and Laurie Radford
    for solo viola, digital soundscape and digital video

    opera for children (approx. 60:00)

    libretto by Aaron Coates
    written for Calgary Opera’s “Let’s Create an Opera” program

    Arrangements for string quartet

    Ain’t Misbehavin’ (Waller – 3:30)

    Girl, Tomorrow Never Knows if Norwegians Would (Lennon/McCartney – 6:00)

    Smile (Chaplin – 2:30)

    Variations on the Huron Carol (traditional – 6:00)