Chamber and Solo Instrumental Music
The Benevolent Predator
for electric violin, cello, alto saxophone, synthesizer, piano, percussion (7:00)
Black Jacques
for string quartet (6:30)
Compassion
for string quartet (11:30)
Fickle
for solo piano (9:00)
Lonely Lake Revisited
for solo harp (1:30)
The Persistence of Memory: Dances for Bass Trio (6:30)
Sea Horses
for solo clarinet (1:45)
Starfish
for solo cello (2:00)
Waiting for the First Crocus
for violin and piano (4:00)
The Erotic Anguish of Don Juan, including Sneaky (1:30), Bullfight (4:00), Burlesque (5:00), Minotaur Cave (3:15)
for violin, cello, bass clarinet and percussion
Orchestral Music
Black Jacques for string orchestra (6:30)
Durham Twilight for string orchestra (6:00)
The Splendid Line
for full orchestra, SATB chorus, organ (10:00)
Choral Music
cold spell
for Double SATB chorus (6:30)
Frank Slide, Alberta
for SATB chorus with Mezzo-soprano soloist (5:00)
Text by Aislinn Hunter
The Splendid Line
for SATB chorus, orchestra, organ (10:00)
Transience
for SATB chorus (3:00)
Text by Sarojini Naidu
Theatrical and multimedia pieces
The Erotic Anguish of Don Juan (54:00)
25 pieces for violin, cello, bass clarinet, percussion, SATB chorus and vocal soloists
Honfleur
https://soundcloud.com/george-fenwick-4/honfleur
realized using Logic Pro X
Lakeside
an audiovisual presentation honouring Leonard Leacock (10:00)
– by Miriam Fabijan, George Fenwick, Oli Siska, and Laurie Radford
for solo viola, digital soundscape and digital video
Coldsnap!
opera for children (approx. 60:00)
libretto by Aaron Coates
written for Calgary Opera’s “Let’s Create an Opera” program
Arrangements for string quartet
Ain’t Misbehavin’ (Waller – 3:30)
Girl, Tomorrow Never Knows if Norwegians Would (Lennon/McCartney – 6:00)
Smile (Chaplin – 2:30)
Variations on the Huron Carol (traditional – 6:00)